Tip Out Head

Everything’s been a little ish lately. My head is a sieve. My sense of direction is like a bat whose lost her homing device. That’s it. No homing device. I was late to the vet. Because I hate the vet. Because Chloe hates the vet. Everyone hates going to the doctor. But not everyone loses hair. And she loses hair she will not grow back. I was late to a job interview…a good one…so there’s no real excuse there.

But I am not becoming. And working in jobs I hate is no longer an excuse. Now I must face the greater obstacle. Me. And there it stops. The wall. I am the wall I cannot see around. I am the world I cannot step beyond.

I moved out to Los Angeles to shake loose my thoughts and tip out my head, that heavy thing filled with muddy waters and tiny rooms. Sunlight, lots of sunlight, I thought, might burn away the dreck weighing down my body. Instead I found the blinding sun didn’t purify, it scorched. I looked for a dark hole and retreated. Outside there was so much dust and sorrow.

I got stuck in many jobs I hated. As I was stuck in my head. See previous post. But I’m free now. And I’ve got to stop sabotaging it. See previous post. That post I wrote could follow me, if I don’t take it down. I should. I want to keep working in the beauty industry. Yesterday’s interview was for a beauty line I like a lot.

But more than anything, I want to develop a writing life. And to do that, I need to write out the immediate stuff. The stuff swirling around in me right now in order to get past it and write better stuff. Every writer goes through mediocre periods. What was it I heard Prince once say? “When you write as much as I do, not all of it’s going to be great.” See, that took balls. It took heart. It took demons to write like he wrote. It also took a vault. He never knew what he might use in the future. So, this blog is my vault. The difference between us; even his mediocre is better than everybody else’s.

I can get better. But only if I write all the time. So, forgive me. I’m going to be mediocre. And angry. There’s a lot of anger in this swirling pool inside my head. So, you may be subject to that as well. I’ve managed to keep it at bay for the last year or so, but I’m opening the flood gates, because good artists are not careful artists.

For those of you who prefer fun, funny, carefree reading. That won’t be this. Even my cat fiction is dark. I’m about to kill off my favorite cat in a cat dungeon at the hands of cat torturers. Maybe. Maybe not. Anyway, that was my first instinct, which usually means there’s a better one out there.

The featured image for this post is obviously Psycho. Hitchcock was great. And prolific. Can anyone tell me of a time when his prolificacy got in the way of his greatness? I thought not. Well, shoot for the stars, get the moon. Or a bird. As Tippi Hedren did.

I’ll stop now.

 

 

 

More Poems From “The Place Where You Started”

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Hannah Consenz stars as Meredith in the Portland State University production of The Place Where You Started.

Director Kristine McIntyre asked me to write some poetry, for the opera The Place Where You Started, in Meredith’s voice. Kristine then displayed the poetry in a projection on the back wall of the stage for Meredith’s final aria. In the aria (think monologue in a play) Meredith discovers her passion for writing again.  In this poem Meredith addresses her frustration with screenwriting, a career she chose for all the wrong reasons. She describes it as a barren house.

1
Words reflect the place
where you live
screenwriting
for example
very little in this house
chair
computer
mouse
I once thought it elegant
an interconnected series of
entertaining scenes
held together by three *brads
and an agent
dizzying
spell-binding
but the dazzling wheel cracked
caked with dirt of a million dead dreams
the rain never comes here to renew
broken yearnings stretch back 100 years
deep into the orange grove
soil
now paved with cement and sorrow
Los Angeles

*Brads are the brass prongs that hold screenplays together.

In this next one, Meredith writes to her boyfriend Steve who takes her for granted.  The screenplay she writes during the opera, a vampire romance, features Roland, a brooding teenage vampire. It makes sense then that she calls Steve, Roland. Both are emotionally stunted. This poem is somewhat of a “Dear John” letter to Steve and to screenwriting.

2
Goodbye
Roland
I cannot stay
a wind blows
my obsession
away
Goodbye and
Good luck
Sorry for the mess
The dirt
The dust
I could not clean up
after you
you’re stunted
eighteen
playing video games
sitting in the last chair
Vampires might live forever
But I do not

Here Meredith reflects on the unique beauty that exists in Southern California. Her relationship with her friend Macario, a genius in the garden, has connected her to the earth. The falling rain is, in a way, a symbol for Macario, but it’s also simply rain doing what rain is supposed to do.

3
The rain falls
It soaks the dust and stirs it to soil
At dusk the jasmine bloom
their night shade fragrance thick
over the garden
A brown house spider spins her web over our door
If I leave the light on
she will feast

Betrayed

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This piece is not meant to represent any specific person, place, or event. It’s a compilation of conversations and experiences I’ve had in many different places. I’ve written one experience here to represent many. Any similarities to specific people, places, or events is a mere coincidence.

“If you’re so miserable, why don’t you just do something about it? Everyday you come in here and you just complain. Just get another job already,” Sandy said.
It was late. We stood near our counters. The department stood empty. Yellow track lighting glared above us. The chrome counters glistened. Bright shades of lipstick waited in their black heavy plastic units, ready for the next day’s clients. Her counter always looked great. I was in the process of dusting mine with an old powder brush.
“Wow. OK black,” I said.
“What?”
“Pot. Black.”
She gave be a blank stare.
“Pot calling the kettle black.”
“I’m not miserable.”
“You complain as much as I do.”
“I don’t complain everyday. And I don’t complain about my job. I’m working through bigger life goals. And I’m doing something about them.”
“OK. Got it,” I said, a little too loudly and too aggressively. But I was pissed and all I wanted to say was, Fuck you. You absolutely complain as much as I do. And when that’s the only thing you can think of to say, you walk away. Conversation over.
Her voice rose the further away I got. “I’m just not telling you about them.”
My eyes grew wider, in what I can imagine was my mother’s, I’m going to silently punish you face. “OK, I got it, Sandy.”
“Well if you’re so miserable don’t take it out on me,” She turned away.

Which I should’ve seen coming. A few weeks back I told her that a co-worker took some products from her counter. She told a mutual friend of ours. Our mutual friend told me. I did not know she already knew, that she had been the source of the information. I told her, because I thought I was doing her a favor. She flipped out. Completely and totally melted down. I was shocked. It’s not like I had betrayed state secrets. This wasn’t the Pentagon for Christ’s sake.

Sandy seethed. “I told Alison that in confidence. I can’t believe she told anyone. Who else did she tell?”
“No one, I’m sure. She only told me because we’re all friends. Listen, I thought I was doing you a favor. I thought we were friends. I would want to know. Jesus Sandy. What’s the big deal?”
“That’s fine. It’s not you. I just know I can never trust her again.”
“OK, you’re overreacting.”
“I don’t think so.”

I walked away from her counter. Fallout would come. She’d confront Alison and punish us both. I was too chicken to tell Alison I’d told Sandy. I can’t remember if she’d told me not to say anything.

Sandy confronted Alison. Alison, indirectly, communicated to me, she knew I’d told. In the end, it seemed, it blew over. We shared laughs, covered each other’s counters while the other went on break. In general, we enjoyed an ease and camaraderie one needs when working together in about a 500 square foot area.

Until last night. Sandy’s sanctimonious direction to “find another job if you’re so miserable,” revealed she hadn’t let it go. Her barb, “I’m doing something about it. I’m just not telling you,” was a clear message. It was meant to impugn my character. I can’t be trusted and I’m too afraid or too lazy to find another job.

Sandy got me when I least expected it. So yes, she won. I know that revenge can feel sweet in the moment. I hope she enjoyed it because the effects are final. Maybe she just wanted it that way. Alison’s the only ally I have left. I plan on protecting that with my life. No one can survive that floor on her own. You’re bait.

I Apologize For Not Reciprocating

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This photo just felt right. 

I’m a makeup artist, of sorts. Technically, I’m a writer by trade, a makeup artist out of economic necessity. It’s the only job I’ve ever had that allows me time to write and doesn’t drain me creatively or intellectually. Not that I’ve been writing. I’ll get to that.

In high school and college I was an artist. I specialized in charcoal and pastel portraits. My artistry is not without merit. People say I do “pretty makeup.” Which is why I resisted learning to contour, that horrendous technique that makes women look like drag queens. (I’m all for it on drag queens.) You shade out the hollow of the cheek and sides of the nose with a brown hue and paint the high points of the face with a white or very light pink color. It’s best for photos and on camera work, but ghoulish in the daylight.

Nevertheless, it’s not going away, as I’d hoped. I have to learn it to stay employed.

Continue reading “I Apologize For Not Reciprocating”

The Multiple Lives Of Sergeant Tom Dewar

“We finally got the wounded out on the first day and uh, we’re like holy crap, when is this going to be over? When’s the mission going to be over? And we stayed there. It went on day after day. It just became so like, we’re never leaving this place. Just kill as much Taliban as you can. It never got better. I prayed to God, please don’t rain. Please don’t rain. And then it rains. And then it snowed and then it hailed.”

This is 23 year-old Thomas Dewar, Sergeant in the US Army 101st Airborne Division, 1st Brigade, Bravo Company, 2nd Battalion. He fought two tours of duty in Afghanistan, the first, 2010-2011, the bloodiest year on record.

We’re sitting in a sunny café facing the San Gabriel Mountains. Patrons chat happily as they drink their cappuccino’s. Dewar could be any all-American boy. Sandy blonde hair, sun-tanned skin.

But look more closely and his body tells a different story. Muscles coiled, eyes darting, a double blink, an involuntary twitch.  His injuries may not be  visible, but they’re debilitating at times. A door slam makes him run for cover. Rain throws him into spasms of depression. When he looks at the mountains he once played in, he scans for Taliban. He never slept more than a two to three hours a night his entire two years of duty. When he wasn’t under enemy fire, he suffered torrential downpours, or oven-like temperatures.

The worst of it was Strong Eagle III. But we’ll get to that.

Continue reading “The Multiple Lives Of Sergeant Tom Dewar”

No Place For Alice

alice-in-wonderland-30327__340A former student wanted help breaking into the entertainment industry. Her plan included calling studios and setting up appointments with studio executives.

I’m mystified why people imagine they can navigate the entertainment industry with ease. Particularly my students. Haven’t I warned them enough? Didn’t I tell them repeatedly they need a body of work before they come to L.A.? And none of it matters if they don’t have the right introductions. And none of that matters if they don’t have the right experience.

Make your own path, I pled. Shoot your own films. Get a presence that draws talented people to you. Then network the hell out of yourself. Continue reading “No Place For Alice”

What Shame Looks Like

I wear a denim mini skirt in the summer because L.A. is very hot. I’m not trying to be sexy. One day I walked up a staircase as a man walked down.

imgresHe had stringy white hair and a white 5 o’clock shadow. He wore a straw hat, a Hawaiian shirt and shorts. I did not like the look of him, but that might be something I’m laying over the memory because of what happened next.

I felt weird, so pulled my skirt snug around my thighs and looked down. He was looking at my bare thighs and deeper, into the center of me.

And in that split second we locked eyes. Continue reading “What Shame Looks Like”