Satan, God, and a club called Medusa’s

Former site of Medusa's after it burnt down.

Following the fire, Medusa’s was no longer. In its place, an office building.

Unfinished business gets in your DNA. Like that guy from high school I almost loved, but feared. He symbolizes much of what I didn’t do and now regret. He’s in my dreams from time to time. Because I don’t do what it is I want to do. His ghost lingers over all I’ve let drift.

If I could go back I’d change…but what would I change? When would I change it? How far back do you go? Because you could go all the way back to childhood but you’d just end up accumulating different regrets. I’m obsessed with high school. I wasn’t popular, but I wore that like a badge. I knew it meant I was better, more artistic, smarter than the cheerleading uniforms bouncing through the hallways on a Friday afternoon before the pep rally. Pep rallies. A time my outcast friends and I used to troll for older boys and pass private notes like they were Pentagon secrets.

Until Satan and God and a club called Medusa’s. Before midnight on Saturdays it was a juice bar. After midnight, bouncers kicked underagers like me out. They kind of did. It really depended on whether they thought you were cute. Anyway, I didn’t like to drink. I just wanted to dance, and do things my parents feared. But my overactive guilt complex required absolution. I told my mother about the upside down crucifixes, gargoyles, and twisted angels hanging from the walls while The Sound of Music played ironically on a 20 foot screen overlooking the main dance floor. My mother grounded me for life. No, I’m serious. She grounded me until the age of 18 or until college, whichever came first. No phone. No television. No activities of any kind. Her one stipulation. Go to church. And as long as I did stuff with church kids, she’d allow me day passes.  She picked me up. She dropped me off. Until it became too inconvenient, then she let me drive myself. And by that time, I’d stepped fully into Stockholm Syndrome. Church became my life. Church kids. Church writing. Church membership. It lay the groundwork for my life. Every decision I made until the age of 29 shot out from the center of a rigid, literal interpretation of the Bible.

I killed myself. Not to be overdramatic, but I think there’s a certain truth to it. I killed my potential. The person I almost became. The one Mr. Banacheck identified in our Cinema Studies class when I was a Sophomore. He wanted to mentor me. He saw that I had promise as a writer.  He was Jewish and secular. Two things my mother could not abide.

And now, more than 10 years after I shed the shackles of my faith I still feel too guilty to write freely. I went in the wrong direction, forged the wrong neural pathways. The ones I need do not exist. Writing in my voice feels much like learning a new language. In youth your brain moves freely to find its truth, like an amoeba shifting between poles. I sense my truth, but I can’t access it. What if it’s too weird? Too gross? Too overtly sexual? What if that makes me too broken? What if people see it and know my worst secrets? And judge me. What if it costs me work? When you’re young you don’t fear because you don’t know what to fear.

I dreamt about that boy last night. He lives in my basement and he loves me, desperately. I’m dating someone else. A safe boy. A church boy named Jim. He actually existed. Jim was Tracy’s boyfriend for four years. We thought they’d marry. They were the most popular couple in the group. Athletic. Good looking. Fun. In my dream I am Tracy. I mean I’m me, but I play Tracy. I long for this other boy living in my parent’s basement. My mother refuses to let me see him. Until I tell her she cannot stop me because I am a grown woman. She realizes I am 18 and her spell breaks. I descend the stairs and say to the boy, “I love you. I will always love you. I’m breaking up with Jim, just give me time.”

“You’re so confusing,” he says. “You East Coast girls are so confusing to us on the West Coast.” This is a dream statement. He and I both lived in the Midwest. We spend the rest of the dream in a push-me pull-you state. Much like the actual dynamic in our high school days. I did love him. As much as a kid can love another when she barely knows herself. But knowing myself now I know that I never loved any other until I met my husband. This particular boy haunts my dreams because he was the last significant contact I had with my authentic self before I got lost in the forest of faith.

Our identities are shaped by the people we love. Entire selves emerge from the fires of our deepest connections. The people I loved, the men I knew all had to do with a false self, a supposed self, a self created for safety’s sake.

Most of the time I don’t think about this boy. Actually, I don’t think of him at all in my waking hours. But in sleep he visits to find resolution and I wake aware that resolution never comes.

One Potent Mash Up

Go for the jugular or don’t go at all. If you don’t write from the gut, then what’s the point? Losing friends, family members, jobs, means you’re on the correct path. But you better be right, even when you make mistakes. It better be true. If it’s not. If it’s made up. If it’s cruel for cruelty’s sake or to make yourself look good, then you don’t deserve the title of writer.

But I’m not a journalist. I don’t have the stomach for it. My facts are subjective, therefore opinions. Listen, I don’t write to smear. My observations are just that, conclusions strung together on a clothesline  of experiences.

You should deduce from that that I’m a coward. I don’t fact check or interview sources. I vomit my positions onto the page and press,”publish,” without a second thought. Until about 24 hours later when, like Colonel Nicholson in Bridge Over the River Kwai, I think, What have I done? I had to remove another post. This time it was a judgement call and not a corporate directive. Social media is a bit like walking into an interview and spilling your guts to a future employer about everything you hated about your last job.

I don’t know. I don’t know why I had to do it. To write that. To lash out with my words. Because they’re good words when they’re close words, yes? The closer they are, the bloodier they flow. Because no one cares about bloodless words. They want a murder scene, carnage. They want assassinations carried out by the person who cares the most. The one who will stab 27 times. Overkill.

That’s me. That’s what I do. That’s what I want. To hurt. I think. Because I hurt. And you hurt me. And don’t you deserve it for being cruel and stupid? I’m smarter. That’s my weapon. And I hold a grudge. Until I don’t. And then I toss  your body into the river. I won’t even watch you go.

And for what? For who? I don’t know what I serve. Because I’m not serving myself. Jesus, let it go, Amy. Because I can’t. I just can’t. Not until I write it and not until someone reads it. And honestly, I don’t want the subjects of my ire to read it. I don’t want anyone who misunderstands the point to read it. The point that it’s about the writing less so the subject. Don’t listen to what I say, but how I say it. It’s the words that matter. Yes, the subject. Of course the subject. But we all say the same things. We just don’t say it in the same ways. And it’s the ways of saying things that matter to me. That’s the skill. That’s the craft of writing.

I wrote something and I lost a family member. Snip, in one essay, snap. That was a clean break. It’s one I think of nearly everyday. Turn it over, study it. Wonder if it was worth it. Ask myself again and again, Why? Why did I write something like that? Couldn’t I have left some things out. Just at the beginning. Just those few sentences. Everything would be so different.

That’s right. Everything.

But if you’re going to tell the truth, even when you make a mistake, you better be right. And I was right. But do you want to be right, or do you want a normal life with family and friends and frustrating jobs filled with secrets and shadows and unspoken wounds. Why not? It’s what everyone else has. Social constructs hang in the balance. Why would anyone in their right mind rip that apart? No really?

The written word is not the spoken word and the Internet is forever….But I gotta tell you, full disclosure, I’m glad that it is. It is my fail safe against my own remorse because my biggest regrets are when I must hide behind an anonymous curtain. I wrote several pieces for Salon that had to be published anonymously. The editors and lawyers decided it was best. No one wants to be a Rolling Stone. I don’t want to be a Jackie. But I’m not a Jackie. I tell the truth.

I want to write about it. I am never as good a writer as when I am spitting with rage. And when I write something I know is particularly imprudent, I want to keep it up.

But we live in a society for a reason. There are rules. And my rage along with this blog, a potent mash up for sure, could be my undoing. So best to keep it all under raps. And so here I go, back underwater. Perhaps an Ophelia, or just dumb doll, I’ll ride the tides and I may not emerge.

Don’t feel sorry for me. Don’t you dare.

 

 

No Place For Alice

alice-in-wonderland-30327__340A former student wanted help breaking into the entertainment industry. Her plan included calling studios and setting up appointments with studio executives.

I’m mystified why people imagine they can navigate the entertainment industry with ease. Particularly my students. Haven’t I warned them enough? Didn’t I tell them repeatedly they need a body of work before they come to L.A.? And none of it matters if they don’t have the right introductions. And none of that matters if they don’t have the right experience.

Make your own path, I pled. Shoot your own films. Get a presence that draws talented people to you. Then network the hell out of yourself. Continue reading “No Place For Alice”

What Shame Looks Like

I wear a denim mini skirt in the summer because L.A. is very hot. I’m not trying to be sexy. One day I walked up a staircase as a man walked down.

imgresHe had stringy white hair and a white 5 o’clock shadow. He wore a straw hat, a Hawaiian shirt and shorts. I did not like the look of him, but that might be something I’m laying over the memory because of what happened next.

I felt weird, so pulled my skirt snug around my thighs and looked down. He was looking at my bare thighs and deeper, into the center of me.

And in that split second we locked eyes. Continue reading “What Shame Looks Like”

Perhaps Something New

imagesI take comfort in this quiet space. I live in a traffic clogged cacophony. It’s hard to think in this city, hard to find a space to breathe without fighting traffic to get there. We must get creative and clear the space ourselves. Here is mine and here I am free to find some movement and push this stagnant energy around.

Perhaps something can come of it. Continue reading “Perhaps Something New”