Satan, God, and a club called Medusa’s

Former site of Medusa's after it burnt down.

Following the fire, Medusa’s was no longer. In its place, an office building.

Unfinished business gets in your DNA. Like that guy from high school I almost loved, but feared. He symbolizes much of what I didn’t do and now regret. He’s in my dreams from time to time. Because I don’t do what it is I want to do. His ghost lingers over all I’ve let drift.

If I could go back I’d change…but what would I change? When would I change it? How far back do you go? Because you could go all the way back to childhood but you’d just end up accumulating different regrets. I’m obsessed with high school. I wasn’t popular, but I wore that like a badge. I knew it meant I was better, more artistic, smarter than the cheerleading uniforms bouncing through the hallways on a Friday afternoon before the pep rally. Pep rallies. A time my outcast friends and I used to troll for older boys and pass private notes like they were Pentagon secrets.

Until Satan and God and a club called Medusa’s. Before midnight on Saturdays it was a juice bar. After midnight, bouncers kicked underagers like me out. They kind of did. It really depended on whether they thought you were cute. Anyway, I didn’t like to drink. I just wanted to dance, and do things my parents feared. But my overactive guilt complex required absolution. I told my mother about the upside down crucifixes, gargoyles, and twisted angels hanging from the walls while The Sound of Music played ironically on a 20 foot screen overlooking the main dance floor. My mother grounded me for life. No, I’m serious. She grounded me until the age of 18 or until college, whichever came first. No phone. No television. No activities of any kind. Her one stipulation. Go to church. And as long as I did stuff with church kids, she’d allow me day passes.  She picked me up. She dropped me off. Until it became too inconvenient, then she let me drive myself. And by that time, I’d stepped fully into Stockholm Syndrome. Church became my life. Church kids. Church writing. Church membership. It lay the groundwork for my life. Every decision I made until the age of 29 shot out from the center of a rigid, literal interpretation of the Bible.

I killed myself. Not to be overdramatic, but I think there’s a certain truth to it. I killed my potential. The person I almost became. The one Mr. Banacheck identified in our Cinema Studies class when I was a Sophomore. He wanted to mentor me. He saw that I had promise as a writer.  He was Jewish and secular. Two things my mother could not abide.

And now, more than 10 years after I shed the shackles of my faith I still feel too guilty to write freely. I went in the wrong direction, forged the wrong neural pathways. The ones I need do not exist. Writing in my voice feels much like learning a new language. In youth your brain moves freely to find its truth, like an amoeba shifting between poles. I sense my truth, but I can’t access it. What if it’s too weird? Too gross? Too overtly sexual? What if that makes me too broken? What if people see it and know my worst secrets? And judge me. What if it costs me work? When you’re young you don’t fear because you don’t know what to fear.

I dreamt about that boy last night. He lives in my basement and he loves me, desperately. I’m dating someone else. A safe boy. A church boy named Jim. He actually existed. Jim was Tracy’s boyfriend for four years. We thought they’d marry. They were the most popular couple in the group. Athletic. Good looking. Fun. In my dream I am Tracy. I mean I’m me, but I play Tracy. I long for this other boy living in my parent’s basement. My mother refuses to let me see him. Until I tell her she cannot stop me because I am a grown woman. She realizes I am 18 and her spell breaks. I descend the stairs and say to the boy, “I love you. I will always love you. I’m breaking up with Jim, just give me time.”

“You’re so confusing,” he says. “You East Coast girls are so confusing to us on the West Coast.” This is a dream statement. He and I both lived in the Midwest. We spend the rest of the dream in a push-me pull-you state. Much like the actual dynamic in our high school days. I did love him. As much as a kid can love another when she barely knows herself. But knowing myself now I know that I never loved any other until I met my husband. This particular boy haunts my dreams because he was the last significant contact I had with my authentic self before I got lost in the forest of faith.

Our identities are shaped by the people we love. Entire selves emerge from the fires of our deepest connections. The people I loved, the men I knew all had to do with a false self, a supposed self, a self created for safety’s sake.

Most of the time I don’t think about this boy. Actually, I don’t think of him at all in my waking hours. But in sleep he visits to find resolution and I wake aware that resolution never comes.

Ruminations on the Why of It

TCRiggs wrote a response to my last post I thought worth sharing. A personal essayist struggling to find her voice might find the following interesting. The essential question, “How much time does one give a thing before it’s safe to write about it?” 20 years? Perhaps. She also suggests perhaps turning to fiction. She keeps a level of anonymity on her blog.

But what if it’s too late for that? What if the damage is done? I mean essential damage? That’s what I’ve done. I’m really good at tearing down the foundation of a thing. Exceptional at destruction. Here’s my response to her:

Anonymity is good. Fiction even better. But I’m working on a brand and it conflicts with every area of my working life. I write to a small subset and write myself out of others. I’ve struggled with this and for decades I haven’t written at all, working for little to no money in other industries and profoundly frustrated. Unable to construct a sentence. I’m unsure of the connection between them, why must one exist to the exclusion of the other?

But it was when I started to write those things closest to me that I found words again. Much to the detriment of many things. I don’t want to. I don’t try to. But when I stop, then I stop writing.

My heroes are the rebels and the cynics. I’ve always felt that cynicism is thinly veiled hope. A cynic sees the world for what it is, but knows its potential for more. A glutton for punishment, she never stops hoping even when things are at their worst.

When I read Hunter Thompson’sThe Kentucky Derby is Decadent and Depraved, it unfastened a latch within me. I recognized something in his writing, a thing that felt like me. Not in the subject, not in the content, but in the how of it. In the rage of it. And in the self-awareness of it. There’s beauty in his disgust and self-knowledge. In the last sentence of that essay he recognizes that he and his subjects are one. They disgust him as he disgusts himself. He never judged himself for it. I judge myself for everything. So on the page, I fight for his courage.

There are others who inspire me now, but it was Hunter Thompson who taught me to trust my voice. I’m somewhat transgender in my writing. My voice sounds like a man’s. A friend once told me that, and he didn’t mean it to flatter. But I don’t mind anymore. Except that the world still wants girls to sound like girls.

There is always luck in success and Thompson was the writer for his time.  I’ve been mining the depths of my life and I cannot find it. That thing that makes me unique. That thing that people want.

As for making money in the meantime, there are many things I’m good at, but one thing I want to do more. And when it’s in opposition to those other things, it creates constant tension. I’m looking for work, I’m not writing. I’m writing, I’m not able to find work because of what I’m writing. Now it’s all out there. It was unwise. It was unrealistic. It was perhaps, wishful thinking to imagine I could give the finger to the man and expect the man to give me a paycheck.

Since this exists on the internet, I have to find sympathetic employers who can see what I do and value it, not fear it. Whether or not I meant to, I created this. The secret will is a powerful thing. And so is the Internet. I’m deep into it now.

One Potent Mash Up

Go for the jugular or don’t go at all. If you don’t write from the gut, then what’s the point? Losing friends, family members, jobs, means you’re on the correct path. But you better be right, even when you make mistakes. It better be true. If it’s not. If it’s made up. If it’s cruel for cruelty’s sake or to make yourself look good, then you don’t deserve the title of writer.

But I’m not a journalist. I don’t have the stomach for it. My facts are subjective, therefore opinions. Listen, I don’t write to smear. My observations are just that, conclusions strung together on a clothesline  of experiences.

You should deduce from that that I’m a coward. I don’t fact check or interview sources. I vomit my positions onto the page and press,”publish,” without a second thought. Until about 24 hours later when, like Colonel Nicholson in Bridge Over the River Kwai, I think, What have I done? I had to remove another post. This time it was a judgement call and not a corporate directive. Social media is a bit like walking into an interview and spilling your guts to a future employer about everything you hated about your last job.

I don’t know. I don’t know why I had to do it. To write that. To lash out with my words. Because they’re good words when they’re close words, yes? The closer they are, the bloodier they flow. Because no one cares about bloodless words. They want a murder scene, carnage. They want assassinations carried out by the person who cares the most. The one who will stab 27 times. Overkill.

That’s me. That’s what I do. That’s what I want. To hurt. I think. Because I hurt. And you hurt me. And don’t you deserve it for being cruel and stupid? I’m smarter. That’s my weapon. And I hold a grudge. Until I don’t. And then I toss  your body into the river. I won’t even watch you go.

And for what? For who? I don’t know what I serve. Because I’m not serving myself. Jesus, let it go, Amy. Because I can’t. I just can’t. Not until I write it and not until someone reads it. And honestly, I don’t want the subjects of my ire to read it. I don’t want anyone who misunderstands the point to read it. The point that it’s about the writing less so the subject. Don’t listen to what I say, but how I say it. It’s the words that matter. Yes, the subject. Of course the subject. But we all say the same things. We just don’t say it in the same ways. And it’s the ways of saying things that matter to me. That’s the skill. That’s the craft of writing.

I wrote something and I lost a family member. Snip, in one essay, snap. That was a clean break. It’s one I think of nearly everyday. Turn it over, study it. Wonder if it was worth it. Ask myself again and again, Why? Why did I write something like that? Couldn’t I have left some things out. Just at the beginning. Just those few sentences. Everything would be so different.

That’s right. Everything.

But if you’re going to tell the truth, even when you make a mistake, you better be right. And I was right. But do you want to be right, or do you want a normal life with family and friends and frustrating jobs filled with secrets and shadows and unspoken wounds. Why not? It’s what everyone else has. Social constructs hang in the balance. Why would anyone in their right mind rip that apart? No really?

The written word is not the spoken word and the Internet is forever….But I gotta tell you, full disclosure, I’m glad that it is. It is my fail safe against my own remorse because my biggest regrets are when I must hide behind an anonymous curtain. I wrote several pieces for Salon that had to be published anonymously. The editors and lawyers decided it was best. No one wants to be a Rolling Stone. I don’t want to be a Jackie. But I’m not a Jackie. I tell the truth.

I want to write about it. I am never as good a writer as when I am spitting with rage. And when I write something I know is particularly imprudent, I want to keep it up.

But we live in a society for a reason. There are rules. And my rage along with this blog, a potent mash up for sure, could be my undoing. So best to keep it all under raps. And so here I go, back underwater. Perhaps an Ophelia, or just dumb doll, I’ll ride the tides and I may not emerge.

Don’t feel sorry for me. Don’t you dare.

 

 

Dear Monica, We Are The Villains

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New York Times Insider

I saw HBO’s 2002 documentary on Monica Lewinsky, Monica In Black and White, not too long ago. I wanted to understand her. I’m in a different place in my life now. Was she, as I thought at the time, a seductress, a home wrecker, or was she, as I thought now, a victim of male dominance and power? The truth is simpler and far less sinister.

Monica fell in love. She doesn’t see herself as a victim. She was a woman who reached for what she wanted and got it. “I have a crush on you,” she said to him that snowy day when the building was nearly empty. He took her into his office and the two of them passed the time.

Following the Ken Starr witch trials, she went on to give interviews and pose, scantily clad, in every major fashion magazine, which seemed unseemly to a world working so hard to shame her. How dare she. Show some regret, woman. Who do you think you are? You’re not above our wrath. And she wasn’t. Because we won. After that she tried to live a normal life. But the joke’s on her.

What do you mean you’re not going to give us sex, Monica? You have no purpose.

She received her Master’s at the London School of Economics, but when she returned home, she couldn’t get a job, even as a volunteer. Some hiring managers went so far as to interview her just to see what she was like.

She’s the circus freak. The Bearded Lady. All because she had sexual relations with the most powerful man on the planet, who unceremoniously dumped her, because for all of his power, he was as much a coward about ending things as any man.

My journalism instructor, once the AP Entertainment reporter, said he’d been one of the army of journalists camped outside her Beverly Hills home. I shared this piece from the Guardian. Monica has put her life together and, as the first cyber-shamed person in the world, uses her story as a spring board for an anti-bullying campaign. Her talks have put her in front of audiences on the Ted stage and at Facebook headquarters. They’re taught in schools alongside Harriet Tubman. She has created an anti-bullying app. It’s a hug. Two arms wrapped around a shaking heart. She hopes to spread empathy, and, to save kids from suicide.

In his email my professor wrote back, “None of us really thought of her or what she was going through. I’m sorry about that now.”

Nobody wants to think about her, but it’s a problem for us. Monica may not have been Bill’s victim, but she’s ours. We shamed her. We scarlet letter A’d her. She should be part of the national conversation about slut shaming, but she’s not even a footnote.  We’d have to admit we were wrong. And we’d all, especially those of us on the Left, prefer to think of ourselves as better than that. Right about now, we should be asking her for forgiveness.

She’d give it. One gets the sense that she’s generous and loving.

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The New York Post

Nevertheless, Monica’s 22-year-old specter lingers over Hillary and Bill, perhaps not directly, and not for everyone, but for those of us who lived through it. Ken Starr ripped a hole in the nation’s fabric, and sealed a Monica, Hillary, Bill-shaped scar there. Can’t you see it? There, just out of the corner of your eye. Yeah, when you’re least expecting it, her image flits across your awareness. You wonder, what happened there? What really happened? Did Hillary really forgive Bill? Did she know about all of his indiscretions? Why did she really stay with him?

Inquiring feminists want to know.

Monica was a child. Hillary was a wife and mother. Bill was the leader of the free world. I imagine he did it because he could. Monica did it because who wouldn’t? Hillary stayed, perhaps, to heal the country.

And we? We’re the real villains here. Our drive empowered Ken Starr and created a media landscape that would go on to look more like the Enquirer in twenty years, partisan, salacious, vicious and grievance driven.

We slut shame. We call one another bitches and cunts. And when a guy says, “You’re too needy,” or after sleeping with you, “I’m not looking for a relationship right now,” or goes missing for days or weeks at a time, it’s fine. His momentary needs matter more. Even if they outweigh the needs of the entire country.

In spite of us Hillary has shaken off the filth of those days and remade herself. But, as Obama’s presidency blasted a klieg light onto the rabid racism that still seethes in the dark places of our continent, we’ve only just begun to see the effect a woman president will have on the culture. It will divide us and hurt us while lifting us to new grounds of strength and hope. She will show how we are strong, while we reveal how we are foul.

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The Los Angeles Times, Mark Fritz

And Monica? Her narrative is tied to Hillary’s as well. She’s a model for 21st Century strength in different ways. She survived the burning at the stake.

I’m not sure what’s in store for us. We are the mob. We destroy with impunity.  It just feels good. Perhaps I’m just being pessimistic. If we can elect a black men, and now a white woman, perhaps there’s hope for us still. I’m just not sure.

Women’s Appendages

Obsessed with Prince since his passing, each morning I awoke with an ache so heavy it was hard to breath. His death stole the possibility of something for me. Something I’ve been chasing since. In the dark moments before dawn, as I once rose to study scripture, I opened my phone to read every story on Prince— as if more information might reveal more, lead me into his presence. It only blurred the edges of him further.

His belief in conspiracy theories. His recent celibacy. His mercurial relationship with scheduled meetings, time, and saying goodbye. One never seemed to know if he’d show up or when he was gone, if he was gone for good. In his penetrating Prince biography, I Would Die 4 U, Touré recounts the time he interviewed Prince at Paisley Park. Abruptly, Prince left him without saying a word. Touré waited for him to return. Finally someone came out and told him it was time to leave. Prince didn’t do goodbyes.

Today I finally stopped. My obsession soured to disgust. I’d become a cliche. One of those middle-aged women in the office with Twilight posters pinned to the walls of their cubicles. Continue reading “Women’s Appendages”

Shadow Moment

Seeds of doubt

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This was me as a shadow girl.

At 16, after careful study of the Bible and much prayer, I took an oath in front of the congregation on a Sunday morning in June. To me it was as serious as joining a convent. I pledged to give my life to the church and save my body for marriage.

Continue reading “Shadow Moment”

What Shame Looks Like

I wear a denim mini skirt in the summer because L.A. is very hot. I’m not trying to be sexy. One day I walked up a staircase as a man walked down.

imgresHe had stringy white hair and a white 5 o’clock shadow. He wore a straw hat, a Hawaiian shirt and shorts. I did not like the look of him, but that might be something I’m laying over the memory because of what happened next.

I felt weird, so pulled my skirt snug around my thighs and looked down. He was looking at my bare thighs and deeper, into the center of me.

And in that split second we locked eyes. Continue reading “What Shame Looks Like”